Nine Inch Nails add more North American Tour Dates for 2008

As I suggested at the end of my review of their August 7, 2008 show at Mohegan Sun, I’m of the belief that the touring years of Nine Inch Nails may be coming to an end. That was one of the main reasons that, despite my lack of funds, I felt like I simply had to be at that show. I couldn’t let them leave the stage forever without seeing them one last time.

I needn’t have worried, it turns out. Over the weekend came news that many more shows had been added to the 2008 North American Tour, including a November 8 show about fifteen minutes from my house in Manchester, New Hampshire.

I said it in the review of the Mohegan Sun show and I’ll say it again now: if you are at all interested in seeing Nine Inch Nails, even a little bit, you should check out this tour when it comes to your area. The visuals are stunning, and if you’re afraid of being involved in a mosh pit, just get a seat in the stands and enjoy the view from afar, as I did in Connecticut. It’s a great fucking view.

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Year Zero Comes To HBO?!?

Year Zero, easily Trent Reznor’s most ambitious project up until (and maybe including, depending on your perspective) Ghosts I-IV, may be coming to a boob tube near you at some point in the near future. The Nine Inch Nails frontman has been in talks with cable network HBO to bring Year Zero to the small screen, according to the Los Angeles Times.

“I just pitched it to HBO two weeks ago in L.A. It went great. Ideally, we’re trying to get them to do a two-year limited series. I prefer that over a film. We would have a second ARG tying into the second album and ties into the series and they all happen together with a budget needed to pull that all off. There would be a tour down the road. The record completes the story, the ending that no one knows. I know what happens. I knew when I started it. And it’s not what people think.”

I love the idea of doing this on TV instead of as a film. There’s just so much story to tell, and much of it would get lost as a standalone one-off movie. But I’m also really glad that he’s looking to tackle this as a limited series, which is what I think nearly all television series (and all comic book series, for that matter) should be. Serialized stories are so much more satisfying for me (and for a great many people, I’d wager) when I know that there is a definitive ending on the horizon, however far away that ride into the sunset might be. We need look no further than the example of Lost, which was entirely reenergized at the end of the third season, once the writers knew for sure when the series was going to end.

This is very exciting news, and I very much hope that it comes to fruition.

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REVIEW: Nine Inch Nails at Mohegan Sun, August 7, 2008

Two or three songs into last night’s Nine Inch Nails concert at Mohegan Sun in Uncasville, Connecticut, I looked down from my nosebleed seats at the people on the floor and I thought to myself, “These people do not deserve a show this good.” Yes, for a moment, I became that guy. And then, “March of the Pigs” happened, and the crowd began to wake up. A couple of songs after that, the band broke into “Closer” and the stadium went nuts. Sure, the moment was predictable—who doesn’t love the “I wanna fuck you like an animal” song?—but it was a great moment, just the same. Suddenly, the fans who maybe didn’t know the more recent material all too well—the band opened with three tracks from their most recent album—suddenly, they felt included. Listen: I’ve been to shows where the artists refuses to play any of their hits (the David Bowie portion of NIN-Bowie in 1995), and those shows are always a disappointment. Three songs into last night’s show, there were probably a lot of fans in that stadium who didn’t know quite what to expect. But when the band gave them something to hold onto with “Closer,” that was all it took. Trent Reznor and company grabbed ahold of us all, and for the next two hours or so they didn’t let go.

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This tour seems to be about breaking preconceived notions. Every Nine Inch Nails tour since the Self-Destruct/Further Down the Spiral era has been about that, to one extent or another. But on this tour it seems as if the band is trying extra hard to push envelopes and whatnot. The band mellowed things a great deal more than usual during the middle portion of the set, playing a series of tracks from the instrumental opus Ghosts I-IV. I actually found myself sitting down during this part, not because the songs were less exciting—the visuals employed during this section of the concert were the best I’ve seen, actually, and can’t really be described with words, or with still pictures—but because I felt like that was what this section was for: to give all of us crazy, dancing idiots a chance to sit and recharge, both physically and mentally. The band seemed to have figured out exactly at which point in the show a change of pace was necessary, and they delivered.

(Also, you would have to be deaf not to understand that the middle section was a breather for Trent’s voice, as well. The old man still has it, but all that screaming is taking more out of him than it used to. He’s had to postpone a couple of shows now because of his strained voice. That middle section seems designed to help limit the number of postponements, as well.)

The Ghosts pieces were haunting and beautiful, and they gave each member of the band a chance to shine musically in ways that you wouldn’t expect at a NIN show. So much of the Nine Inch Nails sound, at least to the casual listener, is about bombast and rage. These songs helped to prove to everyone present that Trent Reznor can be just as effective as a composer when he’s being subtle. It was telling to me that we didn’t have to suffer through any drunken frat-boy jeers of “This sucks” during this section. Everyone in the arena seemed to get it, to get what was going on and what was expected of them. For fifteen or twenty minutes, Nine Inch Nails turned their rock concert into a sort of industrial recital. And nobody seemed to mind.

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As impressive as the middle section was, it was during the rest of the show, during the songs that I’ve heard live four or five times now, that the band really proved what they were made of. This version of the band is the tightest I’ve yet heard. Robin Finck was just fucking insane on the guitar. It was almost as if he knew that the asshole who wrote this article on his being inferior to Aaron North was in the building and had to be proven a fool. Alessandro Cortini is a genius on the keyboards, taking the dense soundscapes from the original recordings and delivering them to the audience in a live and very intense way. And of course, when you’re a band that plays music as insanely danceable as Nine Inch Nails, you need a great rhythm section. Justin Meldal-Johnson and Josh Freese are not just that. They are an amazing rhythm section.

Highlights for me included the killer opening (I love The Slip and was happy to see them open with three songs from it); the “back from the break section,” which opened with “Pinion,” went into “Wish,” peaked with “Terrible Lie,” and concluded with “Survivalism,”; and, of course, the completely bat-shit insane end of the the regular show/pre-encore section, which went like this: “Only,” “The Hand That Feeds,” “Head Like A Hole.” Each of these sections just reminded me of how great Trent Reznor and company are at putting together set lists. No matter the length of the set, from the shorter shows (NIN-Bowie and the theater part of the With Teeth tour) to the longer ones, a Nine Inch Nails show is an exercise in pacing, if nothing else. They hype you up, bring you down, and then hype you back up again. And then, just when you don’t think you can handle anymore, they send you away with an intense yet haunting encore.

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So much of the concert-going experience is about who you go with, and about who is sitting around you at the show. I was blessed to have been able to attend this show with my friend Beth, who is probably even more of a NIN fanatic than I am. On the way down to Uncasville, we got to shoot the shit about our high school days, comparing notes on the characters we knew way back when. Then we got to get our asses kicked by the awesomeness of the show. And, finally, on the way home, we got to talk about our obsession in ridiculous detail, having the sort of conversation that we probably never would have had if we’d been in the car with a sane individual, a non-fanatic. There is no one I would have rather seen this show with.

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Even if you’re no more than a fairweather Nine Inch Nails fan, this tour is worth your attention. I get the feeling, based on some interviews I’ve read, and based on the beautiful one-by-one exit the band made during “In This Twilight” last night, that we may be getting near the end of the NIN touring years. So, you may not have many more chances to witness this awesomeness in person. The visuals alone are worth the price of admission. But, if you can’t afford to go—and that would be completely understandable, given the state of our economy, and given everything else that is usually going on in the life of the average person in this day and age—be sure to write yourself a note to check out this tour if it ever comes to DVD. This is something that no one who is even vaguely interested in the band should miss.

Here’s the setlist, courtesy of a message board contributor at Echoing the Sound:

999,999

1,000,000
Letting You
Discipline
March of the Pigs
The Frail
The Wretched
Closer
Gave Up

The Warning
The Great Destroyer

Ghosts 1
Ghosts 5
Ghosts 19
Ghosts Piggy

The Greater Good

Pinion
Wish
Terrible Lie
Survivalism
The Big Come Down
Ghosts 31
Only
The Hand That Feeds
Head Like A Hole

ENCORE
Echoplex
God Given
The Good Soldier
Hurt
In This Twilight

Have you seen Nine Inch Nails on this tour? If so, please add your thoughts in the comments below (or link up your off-site review, if applicable). I’d love to hear whether you agree with me or not.

Edited at 03:13 p.m. on August 8, 2008 to add “The Big Come Down” to the setlist. It’s position in the set is approximate, as it was not on the printed list that the Echoing the Sound poster had.

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No Nine Inch Nails For A Week!

Back in the mid-1990s, when I first started going to concerts with my friend Jon, I recall us having a rule about listening to the band we were going to see prior to the concert, and the rule, I believe, was this: You do not listen to the band you’re going to see in concert for at least a week beforehand. The idea, of course, is to get you salivating to hear the band’s music again. And I remember that rule paying off at every show. I’d be aching to hear certain songs that I would have been playing non-stop otherwise, and then we’d get to the concert, and the band would play those songs, and I would lose my shit.

So, I’ve decided to take this week off from listening to Nine Inch Nails, in anticipation of their concert in Connecticut on Thursday night. It’s going well, so far. Sure, I didn’t officially impose the ban until late Sunday morning (check my Last.fm page to see if I slip up), but five days is better than nothing, right?

How about you guys out there? You ever done anything like this? Does it seem totally insane to you? Are you one of those people who listens to the band all the way to the show and all the way back from it? Let us know in the comments.

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Worth Your Consideration 014 - A GF5 Linkdump

I think I’ve been collecting these links since Thursday, and the fact that I haven’t done anything with them since then is probably proof of the fact that I’ve been playing with my new iPhone way too much. Oh well. Better late than never, right? Here are some links worth your consideration:

• Mashable has an article about despamming your iPhone e-mail, which is probably worth it to some people, but seems like a whole lot of overkill to me. Does anyone really get that much SPAM anymore? I thought that almost every e-mail account (any worth having, that is) had some sort of SPAM-protection at the server level. My Google Apps @ Your Domain e-mail does. My Engine Hosting e-mail does. Really, I’m not sure why we should be doing anything this elaborate anymore. Why not just forward everything to a central Google account (why get the desktop and filters on a desktop client involved?) and let their servers sort everything out? That’s what I do, and it works fine for me.
• There will be another Harry Potter book, after all. Sure, it won’t be quite the same as the others, but the announcement that The Tales of Beedle the Bard will be published this December has me more than a little excited. If you watched my 5 Things video the other day, you know that I’m obsessed enough with Potter that I re-read the books each summer. I can’t wait to add another to my collection.
• And, while we’re on the subject of Harry Potter, why not check out this shot-by-shot look at the trailer for The Half-Blood Prince, which I previewed this week. You haven’t seen the trailer itself yet, you say? Well, check that out here.
• In other news, there’s a workers revolt going down in the Mushroom Kingdom and it’s pretty darned funny. The minions of Bowser have some really good points about how they could more effectively fight the scourge of the Mario brothers. The question is, will the big boss listen? Watch and find out. And then, go thank Kottke for pointing the way to this clip.
• Oh, and speaking of Kottke-provided links, check out this list of the top nine songs about masturbation.
• Or, if you’re more of a sports nut, check out 20 Ways to Die Trying to Dunk a Basketball. Though, I must warn you, these clips do nothing to disprove the notion of jocks being dumb. In fact...
• Moving on, here’s the trailer for the first traditionally animated Disney film since 2004. It’s called The Princess and the Frog and it’s supposedly set in Jazz age New Orleans. It features Disney’s first African American princess. And, if you ask me, it looks like it could be pretty good.
• And if you’re feeling like going negative on me after that story ("Disney sux! Pixar 4-eva!” or some such shit), please do yourself a favor and read this Tweet from Merlin Man (found via our good friend Kottke): “Some days, the web feels like 5 people trying to make something; 5k people turning it into a list; and 500MM people saying, ‘FAIL.’” If you don’t like the creative output that’s out there (on the Web, on the silver screen, or wherever), shut up with your fucking complaining and go make something yourself.
• Dan Walsh is someone who does his creating by re-creating, but that’s paying off for him. His online comic strip, Garfield Minus Garfield, (previously mentioned here) is coming to a book store near you, thanks to an understanding and supportive Jim Davis.
• DarkUFO has an embedded version of the latest episode of The Official Lost Audio Podcast. This one was recorded live at Comic Con 2008 (previously mentioned here and here), so it’s definitely worth a listen.
• Anyone who can tell me what instrument Trent Reznor is playing in this photo of a recent Nine Inch Nails performance wins a free Geek Force Five t-shirt (whenever I finally make some). That’s not just a xylophone, is it? It’s something else, isn’t it? In any case, seeing them doing this kind of experimenting on stage makes me salivate over the thought of seeing them later this week in Connecticut.
• Just a couple more… Did you know that Wal-Mart is basically ordering its employees not to vote for Barack Obama? It doesn’t surprise me, but that doesn’t make it any less scary.
• In happier political news, NBC has hired Luke Russert to cover the Democratic and Republican national conventions. I had no idea that the lad had previous experience, but it appears he does, and that this isn’t just a publicity stunt in the wake of his old man’s passing. I think Big Tim would be proud.
• And, lastly, check out Kevin Smith’s interview with Ain’t It Cool News for Kev’s thoughts on Zack and Miri Make a Porno and George Carlin’s performance in Jersey Girl (a performance I praised in my goodbye to George).

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